Thomas Pink creates a unique paper installation and showcases a Michael Caine inspired AW15 collection at London Collections: Men
|The models prop up the paper bar at the Thomas Pink AW15 preview|
As part of the showcasing of great brands and designers at this January’s London Collections: Men, Thomas Pink, the leading Jermyn St shirt maker, unveiled its London inspired Autumn/Winter 15 Collection at the Institute of Contemporary Arts (ICA). Included in this season’s model line-up was former Scottish international rugby union player and Strictly Come Dancing contestant, Thom Evans.
|Thom Evans, international Rugby player and wearer of Thomas Pink|
After making our way across London on foot, picking up other attendees on the way, we were ushered upstairs to view the collection. Presented against the backdrop of a 30ft ‘long bar’ constructed entirely out of paper, each model bartender and punter showcased a different ‘Pink’ look.
Built using crisp white 315gsm Kendal Manilla paper manufactured by James Cropper, the unique setup provided the perfect blank canvas for the brand’s expanding ready to wear offering.
|Moss green checked trousers and a pop of colourful paisley|
|Guests were kept well watered with the branded cocktails|
|the ladies tie wins in this picture|
Blurring the boundaries between tradition and technology – paper and digital – guests were invited to leave ‘off the cuff’ written reviews on the paper bar using pink pens, which could then be shared via social media.
|Guests leave a message on the paper bar|
Florence Torrens, Creative Director at Thomas Pink, says; “Shirts will always be at the heart of what we do, but they inspire other pieces to complete the look. At Thomas Pink we’re broadening our offer to include more tailoring, outerwear and knitwear.
|Florence Torrens, Creative Director and Fred Williams|
To highlight this we worked with James Cropper – the oldest traditional paper mill in the UK – and Flow Creation – a group of highly skilled paper architects – to build an installation echoing the blank canvas of a white shirt. Inspired by the architecture of the ICA building itself, we re-created elements of the room in paper to embellish the bar.”
|Four models, four Thomas Pink looks|
|Cocktails all round, in Thomas Pink paper cups|
|Photographer Alistair Guy|
|Checked shirts in statement colours|
|Colour and pattern featured heavily in the collection|
Frederik Willems, Head of Design at Thomas Pink, says; “Autumn/Winter 15 is inspired by a heady mix of London’s well known landmarks, motifs and characters. From Sir Michael Caine in the 1971 film ‘Get Carter’, to The Coach and Horses pub in Soho, we’ve drawn upon urban influences to create a collection which is daringly bold and eclectic in style. We’ve played with weaves and texture to develop solid colours with subtle design features and added intrigue. Checks and herringbone play a pivotal role throughout.”
Guests enjoyed cocktails mixed by Pontoon, made using Hennessy Fine de Cognac and garnished with paper foxes, whilst listening to British classics from The Clash, The Rolling Stones and Pulp. Continuing the iconic London theme, models wore Dr. Martens tasselled loafers.
|In the pink, a statement colour shirt teamed with polka dot braces|
|Hennessy Fine de Cognac cocktails went down well with guests and models alike|
|Thom Evans shares a cocktail with a suitable clad model|
|A stunning peacock feather print shirt teamed with statement braces|
Thomas Pink’s London presentation preceded its debut at Pitti Uomo in Florence and Premium International Fashion Trade Show in Berlin.
The brand’s presence marks its move into key European territories and can be cited as a significant milestone in Thomas Pink’s development as a wholesale business.
|Celebrating the Thomas Pink success. Cheers!|
|Colour and pattern, suitable for gentlemen of all ages|
Autumn/Winter 15 takes influence from Sir Michael Caine – one of London’s sharpest dressers in the 1960’s. The monochromic palette in shades of blue and grey celebrates his pared back style, whilst typically ‘Pink’ punctuations of mustard and raspberry can be found throughout.
Key stories in the shirting range include ‘The Davenport’, a self puppytooth and the ‘The Gibson’, a fine satin twill. This season’s hero piece is the Italian weave ‘Caldicot’ in indigo – a washed Chambray shirt in 80s two fold cotton which stylishly blurs the boundaries between formal and casual.
As the season progresses the collection references the urban metropolis that is London and celebrates its social landmarks and motifs – for example The Coach and Horses in Soho, which was frequented by Lucian Freud and legendary columnist Jeffrey Bernard.
The colour palette switches up a notch with raspberry deepening to red, mustard to amber and hues of green emerging, whilst rich melange textures begin to play a key role in the range. Shirting in fine Italian fabrics include the ‘Edward’, a window pane check inspired by London’s iconic telephone boxes, ‘The Bedford’, a complex herringbone weave and the ‘Finlay’, a soft collar brushed poplin with amber overcheck.
Luxurious knitwear designed to be layered comprises the ‘Askew’ – a cashmere wool blend crew neck featuring an oversized tartan – and a selection of cable knits, v-necks and zip necks in luxurious cashmere, wool and merino wool blends in warm colours. Separately, Autumn Winter 15 includes a cashmere rugby jersey to mark 2015s rugby event of the year – as well as a range of accessories inspired by the great British sport.
|Im in love with this bright blue coat with contrast collar|
This season’s outerwear is travel focused and uses technical fabrics for maximum style and performance. The range includes an Italian made reversible jacket, a bonded wool rain coat and a deconstructed wool hopsack jacket. Autumn/Winter 15 also sees the introduction of a wool/mohair travel suit made from British fabric, which mixes high twist wool yarn with lightweight mohair fibre to create the perfect travel companion.
|Ready to travel with beautiful Thomas Pink bags|
Traditional British outerwear includes stalwart sports jackets fashioned out of Fox flannel with foggy yellow overchecks, traditional Covert coats with contrasting collars in jewel tones and quilted jackets in collaboration with Lavenham.
As well as eveningwear, the collection incorporates a capsule party range inspired by Alfred Hitchcock’s dashing and directional sartorial style. A quirky colour palette of teal, magenta, indigo and purple compliment rich velvet accessories with silk printed peacock feathers, which sit alongside richly textured Donegal tweed and British Flannel blazers.
In shirting, spots and exaggerated Prince of Wales checks in bold saturated colours start to appear, whilst a super modern dark tartan shirt with bright highlights in an innovative ‘breathable’ fabric provides a point to the season.
It’s fair to say the evening and the collection are a success. Prior to this event I was unaware, as many are, of the range that Thomas Pinks offers outside of the shirts that they are so famous for. As such, I am now very determined to get some ‘Pink’ into my wardrobe!
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